Aah, Black Friday … Sure you could shop until you drop, but why not put your feet up and take it easy in true femme fatale style? (Besides, all that decadent face-stuffing yesterday was a tad exhausting.) While lounging, pay tribute to one of our favorite bad girls: the incomparable Miss Gloria Grahame, who could play a vixen like no one else and who courted scandal off-screen as well.
She was born today (Nov. 28) in Los Angeles in 1923. She died on Oct. 5, 1981.
Such is our devotion that a while back we decided to honor Ms. Grahame with her own special day (in addition to her b’day because one day was simply not enough) and we invite you to revisit our praise by reading this little ditty: https://mreman.com/fnb-proclaims-gloria-grahame-day-july-13/ You will also find links to several GG film noir classics.
The Film Noir File is FNB’s guide to classic film noir, neo-noir and pre-noir on Turner Classic Movies (TCM). All movies below are from the schedule of TCM, which broadcasts them uncut and uninterrupted. The times are Eastern Standard and (Pacific Standard).
Pick of the Week
A Day With Alfred Hitchcock (Friday, Nov. 28)
When it came to making movie thrillers, manufacturing chills, and squeezing the last drop of tension out of every thrill-packed scene and breath-catching set piece, Alfred Hitchcock was, by common consent, the Master of Suspense — king of the genre in the cinema’s Golden Age. Born in London, an émigré who moved to Hollywood in the ’40s, “Hitch,” as he was called by most movie folk, could plan and plot a suspense scene like no one else — riveting his audiences almost from his opening minutes, and building his unforgettable sequences and his little gems of nerve-racking tension with a meticulous expertise and vivid imagination that all thriller-makes envied and all tried (usually unsuccessfully) to emulate.
Hitchcock liked his heroines to be blonde and in distress, his villains to be charming and deadly, and his heroes to be fallible or accused of something they didn’t do. And he liked his movies (like those villains) to be devilishly seductive and watchable. Of all his contemporaries, he is still the film director most known, most watched and most imitated. And when his 1958 masterpiece “Vertigo” — that eerie romantic chiller starring James Stewart as a detective afraid of heights and Kim Novak as the beautiful mystery woman for whom he falls — was recently voted the best movie of all time, finally beating out runner-up “Citizen Kane” in the Sight and Sound film poll, it was a recognition that was probably as much for Hitchcock’s entire oeuvre.
Today’s Hitchcock mini-festival gives us five of his acknowledged classics, from the ’30s (“The Lady vanishes”), the ’40s (“Shadow of a Doubt,” which Hitchcock often named as his personal favorite), the ’50s (”Dial M for Murder”), to the ’60s (“Psycho” and “The Birds“), as well as the underrated 1942 “Saboteur” and 1964 “Marnie.” His constant, though often uncredited, collaborator on all these pictures, and on most of his others, was his one-time script woman, wife and life-long partner Alma Reville Hitchcock. If you’re a movie aficionado, you’ve probably seen them all, but they always repay a return visit. After all, life and love may fail you, but a thriller by Hitch will almost always get you on the hook.
5:30 a.m. (2:30 a.m.): “The Lady Vanishes” (1938, Alfred Hitchcock). With Michael Redgrave, Margaret Lockwood, Paul Lukas and Dame May Whitty. Reviewed in FNB on March 12, 2012.
7:30 a.m. (4:30 a.m.): “Saboteur” (1942, Alfred Hitchcock). With Robert Cummings, Priscilla Lane, Otto Kruger and Norman Lloyd. Reviewed in FNB on Oct. 18, 2014.
9:30 a.m. (6:30 a.m.): “Shadow of a Doubt” (1943, Alfred Hitchcock). With Joseph Cotten, Teresa Wright, Macdonald Carey and Hume Cronyn. Reviewed in FNB on Oct. 9, 2014.
11:30 a.m. (8:30 a.m.): “Dial M for Murder” (1954, Alfred Hitchcock). With Grace Kelly, Ray Milland and Cummings. Reviewed in FNB on Sept. 11, 2012.
1:30 p.m. (10:30 a.m.): “Marnie” (1964, Alfred Hitchcock). With Sean Connery, Tippi Hedren and Diane Baker. Reviewed in FNB on Jan. 30, 2012.
3:45 p.m. (12:45 p.m.): “The Birds” (1963, Alfred Hitchcock). With Rod Taylor, Hedren and Jessica Tandy. Reviewed in FNB on Oct. 23, 2014.
6 p.m. (3 p.m.): “Psycho’ (1960, Alfred Hitchcock, 1960). With Anthony Perkins, Janet Leigh, Vera Miles and Martin Balsam. Reviewed in FNB on July 7, 2011.
The Film Noir Foundation has announced that Noir City 13 in San Francisco will run Jan. 16-25, 2015. The fest comes to Los Angeles in the spring and travels to several other cities around the country. We’re eagerly awaiting the announcement of the movies that will screen.
SF fans don’t have to wait until the new year to get a big-screen noir fix. Noir City Xmas, featuring “O. Henry’s Full House” and “The Curse of the Cat People,” is on Dec. 17.
Earlier this month, Noir City made its first trip to Kansas City. To promote the fest, the foundation’s Eddie Muller talked on the radio with “Gun Crazy” actress Peggy Cummins and other guests.
We loved this snippet from the chat. Muller told listeners: “I’ve always said that in film noir, women were allowed to be, for once, completely the equal of men. By which I mean equally tempted, equally compromised and equally guilty.”
Meanwhile, if you are lucky enough to be in London during the holidays, there’s a must-see stop for photography lovers. The definitive retrospective of the work of Horst P. Horst (1906-99), one of the 20th century’s master photographers, continues through Jan. 4 at London’s V&A Museum.
Just in time for next week’s Black Friday shopping binge is Dark Crimes: Film Noir Thrillers Vol. 2, a DVD collection from TCMand Universal released earlier this year.
The set includes two Fritz Lang films. “You and Me” (1938) is an offbeat gangster comedy/romance starring George Raft and Sylvia Sydney, with music by Kurt Weill of “The 3 Penny Opera” fame.
The always delightful RayMilland plays a mandesperately trying to stop a Nazi spy ring in Lang’s “Ministry of Fear” (1944). Graham Greene wrote the source novel.
Two William Castle movies complete the set. “Undertow”(1949) tells the story of a fall guy framed for murder (Scott Brady) who pursues the real culprits. “Undertow”also stars Bruce Bennett.
Castle’s “Hollywood Story” (1951) stars Richard Conte and Julie Adams. In this backstage murder mystery, a producer makes a movie about an old crime, hoping to uncover the perp.
Dark Crimes Vol. 2 contains multiple digital bonus features, including an introduction by TCM host Ben Mankiewicz, behind-the-scenes photos, production stills, poster and lobby card galleries, an original essay by Film Noir Foundation founder and president Eddie Muller, and interviews with Muller and actress Julie Adams.
The collection is available exclusively through TCM’s online store: shop.tcm.com.