Rare and riveting, ‘The Babadook’ holds its own among horror classics

The Babadook poster 2Prepare to be creeped out, chilled to the bone and genuinely scared. “The Babadook” is one of those rare films that relies on character and psychology, not blood and gore, to get under your skin. In the tradition of Roman Polanski and Stanley Kubrick, writer/director Jennifer Kent creates a mesmerizing world of loneliness and paranoia, frustration and doom.

In doing so, Kent laudably tackles a taboo topic: Motherhood gone awry. Essie Davis plays Amelia, a one-time writer who is mourning the death of her husband and struggling to raise her son, Sam (Noah Wiseman). After they read a children’s book about a menacing creature called the Babadook, Sam becomes convinced that the Babadook is real and that he is coming to get them.

Amelia is initially dismissive, writing off strange occurrences to Sam’s issues and overactive imagination. But as her own life slowly starts to spin out of control and the line between reality and fiction blurs, she must confront demons, on the page and in her past.

“The Babadook” is playing in theaters. Director William Friedkin, one of the film’s many fans, will introduce the movie on Saturday, Dec. 6, at 11:45 p.m. at the Vista Theater, 4473 Sunset Drive, in Los Angeles.