The Egyptian Theatre in Hollywood is running Suspense Account: The Films of Alfred Hitchcock, featuring his Technicolor spectaculars, such as “North by Northwest,” “Rear Window,” “Vertigo,” “The Birds,” “The Man Who Knew Too Much,” and “To Catch a Thief.” Also showing are suspense thrillers “Notorious,” “Shadow of a Doubt,” “Suspicion,” “Spellbound,” “Saboteur” and “Psycho.” Now under way, the series runs through June 9.
Additionally, from June 23-30, the Aero Theatre in Santa Monica will host A Centennial Tribute to Composer Bernard Herrmann (1911-1975), one of cinema’s most brilliant and influential artists. The series will screen “Cape Fear,” On Dangerous Ground,” “Citizen Kane,” “The Magnificent Ambersons,” “Vertigo,” “Obsession,” “Marnie,” “Psycho,” and “Hangover Square.”
Check the schedule for more details. The Egyptian Theatre is at 6712 Hollywood Blvd. The Aero Theatre is at 1328 Montana Ave. General admission is $11; members pay $7.
The Hollywood Reporter’s recentstyle issue was packed with great stories. For instance, Meg Hemphill spotted four awards beauty trends that she predicts we’ll be seeing for months to come. They are:
1. Bright pink lips: Who doesn’t love a flirty pink pout? Not Scarlett Johansson, who wore MAC’s Sheen Supreme in Behave Yourself, $14.50, on Oscar night, or Claire Danes, who dazzled at the SAGs with Joli Rouge in 709 Parisian Pink, $24, by Clarins. Shown here is MAC’s Full Fuchsia.
2. Messy side-dos: Let loose with a softly asymmetrical look. Hairstylist Laini Reeves, creator of Amy Adams’ up-do for the Globes, called the effect “1920s with a twist.”
3. Soft makeup: Nars Illuminating Cream, $29, was key to Olivia Wilde’s sheer glow at the Golden Globes. Makeup artist Spencer Barnes was going for “a soft, timeless look that wasn’t focused on trendy color schemes or any one bold application.”
4. Retro waves: Frederic Fekkai hairstylist Adir Abergel took a cue from old Hollywood and Rita Hayworth, then updated the look for Anne Hathaway on Globes night.
A must-read: Sam Wasson on the legacy of A-list costume designer Edith Head. The story is pegged to the release of two new books: “Edith Head: The Fifty-Year Career of Hollywood’s Greatest Costume Designer” and “The Dress Doctor: Prescriptions for Style from A to Z,” an adaptation of Head’s best-selling tome from 1959.
The spread features pictures from “Vertigo,” “Rear Window,” “The Birds” and other movies. Love this quotation from Head: “Clothes not only can make the woman – they can make her several different women. There’s no one style; there’s a style for a mood.”
THR’s cover story by Shirley Halperin details the empire of Rachel Zoe Inc., “a multiplatform brand powerhouse.” A companion piece names Hollywood ’s 25 most powerful stylists. The top four, after Zoe, are: Kate Young, Petra Flannery, Jen Rade and Anna Bingemann.
Other exiting news: Zoe and husband Rodger Berman are parents to a baby boy. Their first child, Skyler Morrison Berman, was born March 24 in Los Angeles.
There’s much for noir aficionados to see this month at the American Cinematheque in Los Angeles. Highlights at the Aero Theatre in Santa Monica and the Egyptian Theatre in Hollywood include:
That Special Something: A Tribute to Great Screen Icons, spotlighting “film actors [who] transcend the realm of mere celebrity, reaching a more profound level of cultural significance.” The series honors Marilyn Monroe, Clark Gable, Humphrey Bogart, Bette Davis, John Wayne, James Dean, Grace Kelly, Frank Sinatra and Elvis.
Film noir entries include: “In a Lonely Place,” 7:30 p.m. Jan. 7 at the Egyptian as well as Hitchcock gems “Rear Window” and “Dial M for Murder” starting at 7:30 p.m. Jan. 14 at the Egyptian. The Screen Icons series runs Jan. 5-29.
“Chinatown” and “The Tenant” will show at 7:30 p.m. Friday, Jan. 28, at the Egyptian as part of Traumatic Rendition: A Roman Polanski Retrospective.
William Friedkin’s “The French Connection” and “To Live and Die in L.A.,” will run at 7:30 p.m. Saturday, Jan. 22, at the Aero. This double-bill is part of Strangle-Hold: The Gripping Films of William Friedkin.
This is just scratching the surface, so be sure to check complete schedule. The Egyptian Theatre is at 6712 Hollywood Blvd. The Aero Theatre is at 1328 Montana Ave. General admission is $11; members pay $7.
Meanwhile, I just booked my ticket to attend the Film Noir Foundation’s Noir City 9 in San Francisco, Jan. 21-30 at the Castro Theatre. Looking forward to the excellent lineup of films!